March 7, 2012 Leave a comment
I first met Nick Flynn back in the fall of 1999, in Provincetown, Massachusetts. I had accompanied Sari there for her Fine Arts Work Center fellowship, a residency which would keep us in P-town through the winter and into the following spring. Nick was a second-year fellow, and Sari and I were immediately drawn to his charm, intelligence, and good humor.
Nick was a natural storyteller, and had some amazing stories to tell, about a life filled with drama, heartbreak, debauchery—all that good stuff. By trade, he was a poet—a good one—and over the years he and I did some collaborations, basically me adapting his poems into comics. One of the pieces, “Father Outside,” had to do with the time Nick was working in a homeless shelter and his long-estranged father arrived as a new client. Another piece, “Bag of Mice,” dealt with Nick’s mother’s suicide. In all, we did three collaborations, all of which were published in literary journals (and later published my me in The Vagabonds #2). The original art from our first piece, “Cartoon Physics, Part One,” even traveled as part of a multi-city comics art exhibition.
In 2004, Nick published a memoir, memorably titled Another Bullshit Night in Suck City. (That was a favorite phrase of his father’s.) Nick hoped to collaborate again with me on the cover of the book (which was being published by W.W. Norton, much later to be my publisher for The Influencing Machine.) So we worked together on some sketches. Long story short, Norton declined to use my art for the cover (though it was eventually published as a frontspiece in the British Faber & Faber edition). And I have to admit that the art they used instead, by Hon-Sum Cheng, is far superior.
So, fast forward eight years, and Nick’s book has been made into a feature film. Now called Being Flynn (you can see why they didn’t use the other title), it stars Paul Dano as Nick and the legendary Robert DeNiro as Nick’s father. Julianne Moore makes an appearance as Nick’s mom—not a bad cast! The film opened last week, so to commemorate it, I’m sharing the book’s rejected cover art.