Coming May 11 to Greenlight Books: BATTLE LINES by Fetter-Vorm & Kelman. I’ll be there too.

BattleLinesThis coming Monday, May 11, I’ll be in Fort Greene at the wonderful Greenlight Bookstore, discussing Battle Lines: A Graphic History of the Civil War, by cartoonist Jonathan Fetter-Vorm and historian Ari Kelman.

I was given a chance to read an advance copy of the nonfiction graphic novel, and was profoundly impressed. Featuring Fetter-Vorm’s inspired storytelling, delicate line work, and haunting watercolor washes, Battle Lines is a tour-de-force of ground-level storytelling. Each chapter takes a single object and works ever outward, increasing in scope—through salient detail, it brings the epic conflict into focus. Profound and strangely beautiful, in my opinion Battle Lines is the best graphic novel ever produced about the Civil War.

The book came out this week (from Hill & Wang), and the authors will be presenting it to readers at Greenlight “on the big screen” on Monday. I will be there to admire the work and help guide the discussion. Please come by if you can make it; it’s really a special book. Here are the details:

Monday, May 11, 2015, 7:30pm
Greenlight Books
686 Fulton St.
Brooklyn, NY 11217

And here’s the Facebook event link: https://www.facebook.com/events/356409167895594/

Debuting at MoCCA: The Vagabonds #4 and Terms of Service

I’m debuting not one but two new comics at this year’s MoCCA Art Festival, this coming weekend April 11–12!

vagabonds04-cover-250pxFirst off is THE VAGABONDS #4 (my second issue with Hang Dai Editions). This issue serves up a spicy blend of journalism, social commentary, memoir, and literary fiction. The lead piece is a new work of comics reportage called “Crossing the Line,” about profiling at the U.S./Canadian border. I’m also very proud of three collaborations with my wife, writer Sari Wilson (whose debut novel is coming out next year!). Throw in a couple of light-hearted travel tips, and The Vagabonds #4 is chock-full of goodies! The Vagabonds #4 is 24 full-color pages, and is only available for sale directly from me, or from HDE.

Terms of ServiceThe other book I’m debuting is the print edition of Terms of Service: Understanding Our Role in the World of Big Data. Between social media profiles, browsing histories, discount programs, and new tools controlling our energy use, there’s no escape from Big Data. As we use technology to record (and share) new information about ourselves (such as FitBit health data), what are the questions we should be asking? What is the trade-off between the benefits we gain from sharing data and how that data can be used against us? And what are the technologies that seem invasive today but in five years we’ll unthinkingly accept? How do we keep up with new technology while not letting our data determine who we are? Terms of Service examines the role of technology and the implications of sharing personal information. Our hope is that it is a thought-provoking field guide to help smart people understand how their personal—and often very private—data is collected and used. Co-produced by myself and Al Jazeera America reporter Michael Keller, the 48-page “graphic novel” follows our comics avatars as we learn about such topics as the “Unravelling Theory” and the so-called “Internet of Everything.” Terms of Service debuted online on Al Jazeera America’s website in late October 2014, and is now available for the first time in print. Editor & Publisher calls Terms of Service “funny, informative, and ridiculously readable,” and Panda Daily calls it “smart, breezy, and beautiful.”

So come get signed copies of both new comics from me at MoCCA Fest (at its swanky new location, Center548, just steps from the High Line). And while you’re at it, pick up new books from my HDE partners Dean HaspielGregory Benton, and Seth Kushner (making his triumphant post-leukemia return!). Here’s a lineup of all of HDE’s debut books.

We’ll be at the Hang Dai table (#314, Third Floor, Yellow Zone) both days, April 11 and April 12, from 11am–6pm. (I’ll also have copies of The Vagabonds #1–3, and my other books, should you be looking for those.)

Once again, here at the key details:

MoCCA Arts Festival
April 11–12, 2015, 11am – 6pm
Center548
548 W. 22nd St., NYC

My collaboration with Martha Rosler for THE ART OF SAVING A LIFE

salk-comic-tile7My mother, Martha Rosler, and I have a new collaboration, in the online art/public service campaign The Art of Saving a Life. Sponsored by the Gates Foundation, the project brings together over 30 “world-renowned musicians, writers, filmmakers, painters, sculptors and photographers” to promote vaccinations (particularly in the third world). Some of the other creators involved the project include Annie LeibovitzChristoph NiemannDeborah KellyMary Ellen Mark, Mia Farrow, and Yiyun Li. (The project has been covered by, among others, The New York Times.)

My mother’s and my piece, titled “Gift to the World,” tells the story of Jonas Salk and his development of the polio vaccine. The nine panels of the comic float, bubble-like, on the surface of a radiating ripple. As a child of the polio era, this project seemed particularly personal to my mom. We were both moved by Salk’s comment (quoted in the piece), “Who owns the patent to this vaccine? Well, the people, I would say. There is no patent. Could you patent the sun?” I can safely say that Jonas Salk is one of my mother’s personal heroes.

My mother and I have collaborated on a number of other projects over the years, including a monumental piece about the European debt crisis, a billboard graphic about education & prison spending, and a two-page comic on the Iraq War and Guantanamo. It’s funny, because when I got into the comics game, I figured our two creative worlds would never intersect, what with comics being a “low art” and her career firmly ensconced in the academy. Times have changed! Of course, the subjects of our respective work overlap in some places, particularly our shared interest in real people’s stories. Which is no surprise, as my mother has, through her raising me and through her long career as an artist, shaped my life’s moral compass.

Check out The Art of Saving a Life here. And support vaccination!

ACA Thank-you Card Thanksgiving

This is a week for giving thanks, so I’m penning a little shout-out to my Atlantic Center for the Art associates. They were a great group: so talented, dedicated, and inspiring! And after 20+ years of working solo in my home/studio, I have to say the experience of sharing a studio with them has made me rethink my aversion to studio environments. We shall see…

In the meantime, I wanted to show off the beautiful hand-made card my associates presented me at the end of our residency. Cliodhna Lyons fabricated the card (which measures 4″ x 5-1/2″) as an accordian-style pamphlet. It is now one of my most prized possessions. Check it out:

First, the cover, with a very snazzy French flap! “Team Bogota[s]” refers to a slight miscommunication between Neil O’Driscoll and Sara Woolley and the subject of her project:

ACA-card-cover-web

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Twitter #FF: the JoshComix Collection

Today’s Friday Follow suggestions are all folks who are currently using my art for their Twitter avatars:

mhkeller Michael Keller (@mhkeller)—interactive news reporter @ajam, fellow @towcenter, co-founder @csvsoundsystem, @TreasuryIO. comic book character → http://bit.ly/ajam-tos
justinmaiman Justin Maiman (@jmaiman)—Executive Producer, Business Insider Video, fellow KWF’13 alum
joshdneufeld Josh D. Neufeld (@joshdneufeld) (name sound familiar?)—Associate Professor of microbial ecology studying the diversity, function, phylogeny of environmental and host-associated microbial communities.
scottpeppet Scott Peppet (@speppet)—Law professor with passions for privacy, technology, and various other aspects of law. And a major character in Terms of Service!
aramsinnreich Aram Sinnreich (@aram)—Media Professor @RutgersCommInfo. Bassist @BNGsoul. Author of 2 books: Mashed Up (http://Mashed-Up.com) & The Piracy Crusade (http://PiracyCrusade.com). [The latter book features my cover illustration]
joshneufeld Me! (@joshneufeld)

The ACA’s Closets of Legacy

I’m in Master Artist Cabin #3 (aka Andersen Cottage) here at the Atlantic Center for the Arts, nestled amidst the palms and Spanish moss, accessible by wooden walkway. The cabin itself is a nice size, sort of a semi-duplex with the bedroom up the stairs. I very much think I can deal with these accommodations for the next three weeks!

IMG_5562 IMG_5566

My first introduction to a long-standing ACA tradition came when I opened my closet door to unpack. Scrawled all over the closet walls were signatures—lots of them—from previous Master Artists who’d stayed there. Cabin #3 is traditionally the writer’s cabin (which isn’t entirely inappropriate for me, as comics are, after all, an amalgam of writing and art), and the names on the closet walls are like a who’s who of literary stars: Rick Moody, Ishmael Reed, Richard McCannSamuel R. Delany, the late writer/monologist Spalding Gray, Douglas Coupland… even my old buddy Nick Flynn! Some artists’ names popped out at me too, including the late great sculptor Duane Hanson and MacArthur “Genius” Award-winner Carrie Mae Weems.

It’s pretty inspiring to be (metaphorically) sharing this space with such a roster of creative minds—to think they cooked their meals in the same kitchen, slept in the same bed, woke up to the Florida sunlight pouring through the same skylight…

Flynn & Moody Reed
Flynn & Moody Reed
Samuel R. Delaney Spalding Gray
Delany Spalding Gray (and his son Forrest)
Hanson and Weems Amy Bloom
Hanson and Weems Amy Bloom
Coupland, Dyer, Waldman Doty
Douglas Coupland, Geoff Dyer, and Anne Waldman poet Mark Doty
Mat Johnson Patricia Smith
Mat Johnson (of Inconegro fame) poet Patricia Smith
Richard McCann Quincy Troupe
Richard McCann poet Quincy Troupe

Joel Christian Gill’s STRANGE FRUIT

Strange FruitIn 2007 Boston-area cartoonist Joel Christian Gill started drawing a story about a 19th-century man who escaped slavery by mailing himself to freedom in a box. The following year he made a minicomic and went to his first comics show to sell Strange Fruit #1 (followed by six additional issues). Today those stories and more are collected in Strange Fruit, vol I: Uncelebrated Narrative from Black History (Fulcrum Publishing)—with a foreword by Henry Louis Gates!

These offbeat stories of heretofore-obscure African-American pioneers are filled with heartbreak and triumph. Without whitewashing the realities of slavery and racism, Strange Fruit has a wry, welcoming tone—much aided by Gill’s dynamic, inventive storytelling. After reading about such real American heroes as chess master Theophilus Thompson, bicycling champion Marshall “Major” Taylor, and lawman Bass Reeves, I’m eager to learn more—and so should you!

So buy the book—and check out Gill discussing it recently on HuffPo: http://live.huffingtonpost.com/r/segment/537e66e3fe34440f9d00011c

Dean Haspiel’s cosmic, circuitous, and kooky FEAR MY DEAR

Fear My DearMy old buddy/Hang Dai Editions partner/former Keyhole co-conspirator Dean Haspiel has just released Fear My Dear: A Billy Dogma Experience (Z2 Comics) and you must buy it! Completely remastered from the webcomic that ran online on ACT-I-VATE, it’s a gorgeous square-bound objet d’art. Dino asked me to write the book’s introduction, and I was honored to oblige: see how many phrases I copped directly from Billy, Jane, et al…

Friends, folks, and jackasses:

You are in for a treat: Dean Haspiel at the height of his powers. It’s all here: Dino’s spectacular storytelling, his gorgeous, stylish brushstrokes—and his iconic creation Billy Dogma in a way we’ve never seen him before: rebooted, stripped-down to his purest essence.

The original Billy was a philosopher for the 1990s, sounding off in his own unique way about the vagaries of fame, neighborliness, and the functional necessity of women’s hips. There’s a great moment in Fear My Dear when Billy pauses in the midst of furious action. He pauses, and he… thinks! Before he acts! It’s a first for the character, and it sparks a metamorphosis: the square-jawed philosopher transforms into a scruffy desert prophet. Billy Dogma 2.0 is all about the heart—and the hard lesson that “you don’t get to love when you love like you love.”

The primary object of Billy’s love, of course, is the spectacularly bespectacled Jane Legit. And In “Immortal,” the red-soaked opening story, Billy and Jane’s “war of woo” is played out—disastrously—on the mean streets of Trip City. (Billy and Jane are reality stars without the mediating authority of television.) And all the inhabitants of Trip City, from the beat cops to the regulars over at Lucy’s Bar, tell the tale. One of the great pleasures of all Billy Dogma stories is the language. Billy has always had the gift of gab—Jane too—and here we discover that apparently everyone in Trip City talks in the same lingo: part hard-boiled slang, part beat poetry. Thus we learn about “indulging a ruse,” “a lonely monster sans purpose,” and “steeping in seasons of cosmic love.” Sometimes your only option is to laugh and scratch your head at Dino’s unfathomable brilliance, but there’s no doubt it rings a cryptic coda.

From “Immortal” we segue into the golden-accented tones of the title story, as Billy embarks on a vision quest to (literally) get his head on straight. I won’t spoil the details of his heroic journey, but what emerges is Billy’s “secret origin:” Who is he? Where does he come from? What’s the deal with that Berserk Gun? Bite the bullet and take the bait—all shall be revealed.

Hopefully, your eyes are sensitive to feelings, because Fear My Dear is beautiful, funny, and guaranteed to make you go, “Awww”! I love Dino’s Billy Dogma tales precisely because they’re so completely different from my own work—fantastic, imagistic, and preoccupied by the BIG QUESTIONS. And after reading Fear My Dear, I bet you’ll love them too.

Fear My Dear is Dino’s most ambitious work to date. Harder than the hardest heart attack, it will spark the napalm in your apocalypse. So, sally forth, reader—it’s as easy as hopscotch!

A.K. Summers’ PREGNANT BUTCH

PBcoverMedCartoonist A.K. Summers is someone I went to Oberlin with, though I didn’t know her there. (I didn’t know Sari there, either—which is amazing when you consider the entire college has like 2,000 people. Cliques.) Anyway, I’m glad to know A.K. now! Her first graphic novel is now out, and the title says it all: PREGNANT BUTCH. The project started out on the web, ran on ACT-I-VATE, and is now in print.

Her publisher, Soft Skull, asked me to write a few words about the book, and this is what I came up with:

A.K. Summers’ Pregnant Butch is a Tintin lookalike who embarks down the path to motherhood. If you made it through that sentence without your head spinning, then you’re ready for one of the weirdest, wonderful-est pregnancy memoirs out there. Employing a variety of art styles (think Hergé meets Jaime Hernandez, with a little Jack Kirby thrown in for fun), Summers has crafted a wry, wise tale that guarantees a chuckle on every page. Pregnant Butch is an unsentimental, no-holds-barred book filled with insight and genuine feeling. (And you know you want to see Tintin pregnant!)

Buy it now from your favorite retailer.

Jewish Comix Anthology Kickstarter fail?

Sadly, things aren’t looking too good for the Jewish Comix Anthology. Its Kickstarter goal of $50,000 CAD seems to be falling far short—they need more than $35,000, with only five days to go. The anthology features such luminaries as Will Eisner, Michael Netzer, Joe Kubert, Art Spiegelman, and Robert Crumb (um, not Jewish ;->). And me too. I was looking forward to doing an adaptation of the very funny folk tale “Digging a Pit,” about the Wise Men of Chelm. There are tons of other great contributors too—Trina Robbins, Rachel Pollack, Joe Infurnari, Harvey Pekar… the list goes on. Let’s hope Alternative History Comics (the publisher) can figure out a way to fund the book even if the Kickstarter doesn’t hit its goals. In the meantime, please think about backing the project. Shalom.

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