CrowdSourcing Experiment: Please Help me Identify a 1970s Western

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Hey, so I got this idea from a Tumblr post by actor James Urbaniak from some months back. Basically, someone sent an email around asking for help identifying an obscure movie they had seen when they were a kid. The poor person had tried Amazon, cult film fan sites, and even the guy who ran the famous L.A. video store, Jerry’s Video, with no luck. Well, Urbaniak posted it and within minutes someone identified the film: Psychomania.

I have a similar dilemma. Some time in the mid-1970s (I would say 1976 or 1977), I saw a Western movie that left an impression on me. One character I distinctly remember is a young gunslinger everyone called "the Punk." He had a bad attitude and even shot a few guys during the film. I remember a scene where the streets of a town were inundated with mud, the only reprieve being a series of shoddy wooden "sidewalks."

What makes this dilemma tougher is that I saw the film in San Diego in a revival house that sometimes showed first-run films but mostly older movies. So the film could’ve been from anytime in the previous five or ten years. (It was in color and had a very distinct, post-Watergate, Vietnam-era vibe to it, though…)

Like the other memory-impaired film buff, I’ve had no luck tracking down what movie this was. For a while I thought it was Robert Altman’s 1971 anti-Western, McCabe & Mrs. Miller. Some of the scenes seemed familiar, and there’s a young outlaw called the Kid in it. But I saw the film again recently, and it doesn’t feel to me like it was the movie I’m thinking of. On the other hand, I’m quite to prepared to be told I imagined the whole thing. After all, I was only about ten years old at the time.

Anyway, I thought if I put it out there, maybe someone on the interwebs will know the film and identify it for me.

Anyone?

Jennifer Shaw’s HURRICANE STORY

Plug

I strongly encourage you to get a copy of Hurricane Story, the beautiful cloth-bound art book by New Orleans-based photographer Jennifer Shaw. Just out this month from Broken Levee Books (an imprint of Chin Music Press), the slim 7″ x 7″ volume boasts an eloquent foreword by my old buddy/collaborator Rob Walker.

Here’s the book jacket description, which of course doesn’t do justice to the photos themselves:

Jennifer Shaw was nine months pregnant when Hurricane Katrina blew into the Gulf. In the early hours of August 28, 2005, she and her husband loaded up their truck with their two dogs, two cats, photo negatives, important papers, and a few changes of clothes. They evacuated to a motel in southern Alabama and tried to avoid watching the news. Monday, August 29, brought two life-changing events: the destruction of New Orleans and the birth of a son.

Using a simple Holga camera, Shaw narrates her six thousand-mile journey with dreamy and haunting photographs of toys that illustrate her emotional state during a time of exile, waiting, and eventual homecoming.
 

Hurricane Story is a fairytale of birth and death, joy and sadness, innocence and infinite despair. Through the unexpected device of the Holga camera and the toy dioramas, all the familiar images of the Katrina story are brought back to vivid life, reminding even the most jaded reader of what it felt like to live through those dark days.

The book’s beautifully staged tableaux are alternately sweet and menacing, filled with emotion but never spilling over into sentimentality. The book is highly personal yet somehow universal, mournful yet playful, striking a balance which to me seems perfectly New Orleanian.

The poetic marriage of words and photos makes Hurricane Story a children’s book — or, if you will, a “graphic novel” — for grown-ups.

For links to purchasing a copy, click here.

Jennifer Shaw's HURRICANE STORY

Seth Kushner’s HARVEY PEKAR Tribute

Comics, Publicity, Tribute

Today is the one-year anniversary of Harvey Pekar‘s death. One of the more extraordinary homages appearing today is Seth Kushner’s photo comic, "Harvey Pekar: Tribute to ‘Our Man.’" (It’s #25 of Seth’s CulturePop series on ACT-I-VATE.) Weaving wonderful photos of Harvey with Pekar’s own words, it takes the reader through his remarkable life and career. People like Harvey’s wife Joyce Brabner, the filmmakers behind the American Splendor movie, and collaborators like Dean ( ) Haspiel, Jeff () Newelt, and Joseph Remnant make appearances as well. (Oh, and I’m in there too.) It’s memoir, it’s photography, it’s comics — it’s Seth’s unique form of creative expression. Please check it out: http://act-i-vate.com/104-25-1.comic.

P.S. Another nice tribute is KCRW’s re-broadcast of a 2003 conversation between Harvey and Elvis Mitchell: http://www.kcrw.com/etc/programs/tt/tt030813harvey_pekar